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      <image:caption>Industry, 2021</image:caption>
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      <image:caption>De Bult, 2024</image:caption>
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      <image:caption>Idleness, 2021 (installation view)</image:caption>
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      <image:caption>Beyond the hand along the arm, 2023</image:caption>
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      <image:caption>Coerced and Freely Given (set design), 2024</image:caption>
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      <image:caption>A painful union we are forever, 2023</image:caption>
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      <image:caption>Try not ot know what you know (set design), 2024</image:caption>
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      <image:caption>The Dedication, 2017 onwards</image:caption>
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      <image:caption>A migration of control, 2023</image:caption>
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      <image:caption>Untitled (Rope 4), 2024</image:caption>
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      <image:caption>Not Yet, 2022 (with Louwrien Wijers)</image:caption>
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      <image:caption>Untitled (Rope 2), 2024</image:caption>
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      <image:caption>Women's Work, 2019</image:caption>
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      <image:caption>Untitled (Rope 3), 2024</image:caption>
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      <image:caption>Keeping Watch Above The Flowers, 2018</image:caption>
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      <image:title>Home</image:title>
      <image:caption>An Exercise In Taste And Shame, 2018</image:caption>
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      <image:caption>Public Sculpture, a figure without a body, 2018</image:caption>
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      <image:caption>Skyn, 2017</image:caption>
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      <image:caption>Tapestries (ongoing series)</image:caption>
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  <url>
    <loc>https://www.publikuniversalfrxnd.com/themachines</loc>
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    <priority>0.75</priority>
    <lastmod>2024-08-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/22a860d9-f912-4ede-9788-d7ea5aa4743a/The+Machines+Still+2.jpg</image:loc>
      <image:title>The Machines 2021</image:title>
      <image:caption>A person hanging upside down from a harness with a surprised or shocked expression, surrounded by colorful flowers and floral decorations in an indoor setting.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/15d364db-cfe9-4512-8a94-a90b986a6bc0/The+Machines+Still+4.jpg</image:loc>
      <image:title>The Machines 2021</image:title>
      <image:caption>Person jumping indoors, wearing black shoes, striped socks, and shorts, with a ladder, speaker, and colorful tarp in the background.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/28ba7ca4-f8c9-4806-b90f-7abe24ec9bae/The+Machines+Still+5.jpg</image:loc>
      <image:title>The Machines 2021</image:title>
      <image:caption>Stage with two performers in colorful costumes, large printed backdrop, stage lighting, and equipment, preparing for a performance.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/ef8b5b4b-f0ab-497a-bb1b-0a4d5c27d480/The+Machines+Still+8.jpg</image:loc>
      <image:title>The Machines 2021</image:title>
      <image:caption>A woman lying on a glass table with her head upside down, surrounded by scattered clothes and accessories, in a room with bright lighting.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/ad178441-9c50-4584-a34b-6c91d122bcd5/The+Machines+Still+6.jpg</image:loc>
      <image:title>The Machines 2021</image:title>
      <image:caption>Close-up of a person's feet wearing black shoes and white socks with a black logo, standing on a wooden floor in a dimly lit environment with purple and blue stage lights.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/91a20781-a8bd-40f1-ab83-2009286bf1ef/The+Machines+Still+7.jpg</image:loc>
      <image:title>The Machines 2021</image:title>
      <image:caption>A person with a shaved head and patterned clothing appears to be sleeping or resting on a bench or sofa, surrounded by gourds and nuts, with colorful abstract artwork of a landscape and industrial scene in the background.</image:caption>
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      <image:title>The Machines 2021 - The Machines (film) 2023 Duration: 19 mins</image:title>
      <image:caption>This experimental dance documentary follows two performers mixing traditional clog dancing from the North West of the UK with choreography developed for two modified pieces of fitness equipment based on agricultural yokes. It moves between dance sequences and behind-the-scenes footage as the voice over explores identity and belonging in a context shaped by industrialisation and economic migration. East Lancashire clog dancing is said to have emerged from the weaving mills of the 19th century, where the working women would tap to the rhythm of the machines. This industrial technology was often created to reproduce the movements and labour of human bodies, a migration of control that effectively recasts skilled craftspeople as machine operators. In the process of moving, dancing, going somewhere, going nowhere, how do we describe movement and how are we transformed by it?</image:caption>
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  </url>
  <url>
    <loc>https://www.publikuniversalfrxnd.com/biography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/1634573332286-1NE551E87EBO98HMNY9T/thefrxnd2021.jpg</image:loc>
      <image:title>Biography - Publik Universal Frxnd</image:title>
      <image:caption>Publik Universal Frxnd is an Amsterdam-based artist whose work explores the entanglement of body, machine, and nature. They consider industrialisation as the beginning of a contemporary apocalypse in which we are currently living. Taking a queer perspective on histories of labor, migration, and political instability, their recent installations, sculptures, and performances use music and sound as a way to invoke often contradictory feelings of belonging, joy, abjection, and hopelessness. Fomerly known as Richard John Jones, the change of name to Publik Universal Frxnd is an attempt to de-centre themself, questioning the nature of authenticity and subjectivity in an era of capitalised identities. The name is borrowed from a historical figure, when Jemima Wilkinson originally became the Public Universal Friend in 1776. This change performs a personal and social unbecoming, influenced by the artist’s Quaker family. Just as for Jemima, this transformation is perhaps also an instrument to go beyond the limited imagination and perspective of one’s own specific subject position. The Publik Universal Frxnd could be considered a movement in time towards an undoing of the self. After all, like many people at the moment, they haven’t been feeling themselves lately. They have exhibited at ROZENSTRAAT - a rose is a rose is a rose, the Beetsterzwaag Triennale, IMMA Dublin, MAMM Medellin, and the Gwangju Biennial (icw AA Bronson). Their work is supported by the Mondriaan Fonds. They have participated in international residencies at Centrale Fies, Italy, Bar Projects, Barcelona, IMMA, Dublin. Their monograph Paraperformance was published by Immixtion Press and Kunsthal Aarhus in 2018.</image:caption>
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  </url>
  <url>
    <loc>https://www.publikuniversalfrxnd.com/page-not-found</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-05-19</lastmod>
  </url>
  <url>
    <loc>https://www.publikuniversalfrxnd.com/national-idiom</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/616d2a4d9455af4d3a3f0471/dd6ad4d2-212f-4fbe-bff3-e40cfe530e61/27.07.19+-+Richard+John+Jones+-+%E2%80%98National+Idiom%E2%80%99-06.jpg</image:loc>
      <image:title>National Idiom, 2019</image:title>
      <image:caption>An art installation with hanging curtains and two figures, one lying flat on the floor and the other standing, covered in colorful floral fabric. One fabric curtain features a cityscape with a red and pink cloudy sky, and the other is solid dark gray with red flame-like designs. The setting appears to be inside an industrial or gallery space with white walls and large windows.</image:caption>
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    <image:image>
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    <image:image>
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      <image:caption>Two people standing in an art gallery or studio with a large abstract red and white fabric artwork hanging on the wall behind them. One person is facing away, wearing a black outfit with patterned sleeves, while the other person is facing a camera and wearing a colorful floral patterned suit.</image:caption>
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      <image:caption>Painfully Alone, 2018</image:caption>
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    <image:image>
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      <image:caption>Indoor space with textured concrete ceiling and orange lower wall, featuring hanging floral-patterned fabrics in various colors including pink, orange, red, blue, and green, illuminated by the warm glow of spherical pendant lights.</image:caption>
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    <image:image>
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      <image:caption>images: Anu Vahtra</image:caption>
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      <image:title>Transparency Series - Visibility Machines, 2018</image:title>
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      <image:title>Transparency Series - Visibility Machines, 2018</image:title>
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      <image:title>Transparency Series - Visibility Machines, 2018</image:title>
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      <image:title>Transparency Series - Visibility Machines, 2018</image:title>
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      <image:title>Transparency Series - Visibility Machines, 2018</image:title>
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      <image:title>Transparency Series - Discretion Machines, 2019</image:title>
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